The Vesper was the first martini James Bond ordered in Ian Fleming's 1953 book, 'Casino Royale' (and the 2006 movie)—John shows you how to make it. 'Casino Royale' has the answers to all my complaints about the 45-year-old James Bond series, and some I hadn't even thought of. It's not that I didn't love some of the earlier films, like some, dislike others and so on, as that I was becoming less convinced that I ever had to see another one.
- Casino Royale 2006 Google Drive
- Martini Casino Royale 2006
- Bond's Martini In Casino Royale
- Casino Royale 2006 Martinique
- Watch Casino Royale 2006 Online
Casino Royale 2006 Google Drive
The James Bond franchise has seen regular changes in actors, style and direction over the years. And, after Pierce Brosnan's final appearance as 007 in Die Another Day, the series underwent arguably its greatest reinvention to date.
Whilst being the 21st film in the series, Casino Royale took James Bond back to his roots, as a young, inexperienced MI6 agent. Closely based on Ian Fleming's novel, Daniel Craig was cast as Bond in the franchise reboot. When deciding on the music for the film, however, the producers decided to turn to an old hand as David Arnold was once again asked to provide the score; his fourth for the series.
Casino Royale (2006)
1. African Rundown
2. Nothing Sinister
3. Unauthorised Access
4. Blunt Instrument
5. CCTV
6. Solange
7. Trip Aces
8. Miami International
9. I'm The Money
10. Aston Montenegro
11. Dinner Jackets
12. The Tell
13. Stairwell Fight
14. Vesper
15. Bond Loses It All
16. Dirty Martini
17. Bond Wins It All
18. The End Of An Aston Martin
19. The Bad Die Young
20. City of Lovers
21. The Switch
22. Fall Of A House In Venice
23. Death of Vesper
24. The Bitch Is Dead
25. The Name's Bond…James Bond
To record the title track, producers Michael G Wilson and Barbara Broccoli announced in July 2006 that former Audioslave and Soundgarden vocalist Chris Cornell would provide the theme for Casino Royale. Cornell was chosen partly as the producers wanted a strong male vocalist to reflect the grittier, inexperienced Bond (no male vocalist had sung a Bond theme since Morton Harket performed The Living Daylights in 1987).
Not normally associated with the musical style of a Bond theme, Cornell was keen to record a track that was respectful to the Bond tradition. He told Variety magazine: 'I (wanted) an orchestra. I didn't want to do a song for a James Bond film and not have it sound somewhat like a James Bond song.'
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Unlike many of the previous soundtracks where the artists had written the theme song in isolation, Arnold collaborated with Cornell on his song You Know My Name. The first Bond theme since Octopussy not to use the film's title in its lyrics (Cornell admitted that he 'couldn't imagine it fitting into a song lyric that would come out of my mouth'), the song was recorded at London's AIR studios.
Described by the singer as 'more up-tempo and a little more aggressive than any other Bond theme has been, maybe since Paul McCartney' (Live and Let Die), You Know My Name was a hit across the world, reaching number 7 in the UK singles chart.
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Arnold also wanted the musical motif from You Know My Name to replace the James Bond theme during Casino Royale, reflecting Bond's immaturity and inexperience. The instrumental theme from You Know My Name can be heard throughout Arnold's soundtrack, most effectively on I'm The Money – where Bond first meets Vesper Lynd and on Dinner Jackets.
Ironically, although the theme is woven throughout Arnold's score, You Know My Name doesn't appear on the on the Casino Royale CD soundtrack album. The song was available as a single and on Cornell's own album Carry On, with Cornell stating that this happened because he wanted the song to be ‘his'. Additionally, since he wrote You Know My Name in midst of recording his solo album, Cornell felt that the song belonged to the album. This makes Casino Royale the one and only Bond album that doesn't include the title song on the soundtrack.
What Arnold did on Casino Royale is to take a step backwards from the driving electronica of Die Another Day and revert to a more classical, orchestral score. What results is an unmistakeable but ‘new' Bond sound, mirroring the reboot of the film series.
Arnold's soundtrack manages to be Bond-esque without using any of the previous Bond motifs. As Casino Royale is the first Bond adventure, the composer was keen to avoid using the existing Monty Norman and John Barry themes in the film. Indeed, you only hear the iconic James Bond Theme over the end credits – immediately after 007 utters the immortal words 'The name's Bond. James Bond.'
The soundtrack also includes a lovely piano led theme for Bond's love Vesper Lynd and Arnold's action sequences are also dramatic and pulsating – the excellent opening track African Rundown is a great example.
In addition to 74 minutes of music on one of the longest CD soundtracks of the series, an additional 13 short tracks and excerpts were made available as iTunes downloads, making Casino Royale probably the most complete collection of soundtrack music for a single 007 film.
Allmusic rather harshly dismissed Casino Royale as a ‘missed opportunity' for Arnold to ‘reinvent the dated spy music' of previous Bond films. Actually, the composer does a pretty good job of making a Bond soundtrack sound like classic Barry without using any motifs or themes that an audience might recognise.
Once again, the collaboration between title track writer and Arnold gives the score some consistency, and it's a crying shame that Cornell's superb title track is not included on the CD. All in all, though, this is another great collection of spy film music from a man set to be as important to the development of Bond music as Monty Norman and John Barry before him.
Casino Royale soundtrack
Amazon.co.uk | Amazon.com
You Know My name
Amazon.co.uk | Amazon.com
Related
In a scene in the new James Bond movie Quantum of Solace (out in Europe, and premiering in the U.S. this Friday), 007 sits alone in the first class compartment of an international flight, slamming martinis to forget his worries. When asked by a colleague what he's drinking, a foggy Bond can't respond; the bartender answers for him. (Read Richard Corliss' review of the film)
Ironically, although the theme is woven throughout Arnold's score, You Know My Name doesn't appear on the on the Casino Royale CD soundtrack album. The song was available as a single and on Cornell's own album Carry On, with Cornell stating that this happened because he wanted the song to be ‘his'. Additionally, since he wrote You Know My Name in midst of recording his solo album, Cornell felt that the song belonged to the album. This makes Casino Royale the one and only Bond album that doesn't include the title song on the soundtrack.
What Arnold did on Casino Royale is to take a step backwards from the driving electronica of Die Another Day and revert to a more classical, orchestral score. What results is an unmistakeable but ‘new' Bond sound, mirroring the reboot of the film series.
Arnold's soundtrack manages to be Bond-esque without using any of the previous Bond motifs. As Casino Royale is the first Bond adventure, the composer was keen to avoid using the existing Monty Norman and John Barry themes in the film. Indeed, you only hear the iconic James Bond Theme over the end credits – immediately after 007 utters the immortal words 'The name's Bond. James Bond.'
The soundtrack also includes a lovely piano led theme for Bond's love Vesper Lynd and Arnold's action sequences are also dramatic and pulsating – the excellent opening track African Rundown is a great example.
In addition to 74 minutes of music on one of the longest CD soundtracks of the series, an additional 13 short tracks and excerpts were made available as iTunes downloads, making Casino Royale probably the most complete collection of soundtrack music for a single 007 film.
Allmusic rather harshly dismissed Casino Royale as a ‘missed opportunity' for Arnold to ‘reinvent the dated spy music' of previous Bond films. Actually, the composer does a pretty good job of making a Bond soundtrack sound like classic Barry without using any motifs or themes that an audience might recognise.
Once again, the collaboration between title track writer and Arnold gives the score some consistency, and it's a crying shame that Cornell's superb title track is not included on the CD. All in all, though, this is another great collection of spy film music from a man set to be as important to the development of Bond music as Monty Norman and John Barry before him.
Casino Royale soundtrack
Amazon.co.uk | Amazon.com
You Know My name
Amazon.co.uk | Amazon.com
Related
In a scene in the new James Bond movie Quantum of Solace (out in Europe, and premiering in the U.S. this Friday), 007 sits alone in the first class compartment of an international flight, slamming martinis to forget his worries. When asked by a colleague what he's drinking, a foggy Bond can't respond; the bartender answers for him. (Read Richard Corliss' review of the film)
Visibly drunk is a rare look for a character who, over 46 years on the big screen (and 22 official Bond titles), has demonstrated a refined taste for alcohol, ordering libations from Dom Pérignon to mint juleps and influencing a whole generation of fans on what's hip to sip. 'Instead of an action hero chugging a beer or pounding down a shot, it's clear that Ian Fleming started this franchise with a real sense of taste — if you'll pardon the pun — for fine living and nice drinks,' says Tom Sisson, director of the New York Bartending School. 'People notice what Bond orders.' (TIME travels to London to learn how to make the perfect Vesper Martini)
Audiences noticed when, in 2002's Die Another Day, Pierce Brosnan saddled up to the bar and placed an order for a mojito. Sisson says the drink was already becoming popular in Miami, where he was working at the time, but that Bond's affinity for muddled mint launched the mojito to national stardom. In earlier films, Bond's choice of drinks varied widely. He ordered a rum Collins in Thunderball, the liquorice-flavored Middle Eastern drink Raki in From Russia With Love, and even a bottle of Budweiser in License to Kill.
Martini Casino Royale 2006
Of course, the definitive Bond bar scene was the first one, in 1962's Dr. No, when Sean Connery ordered a shaken vodka martini that not only bucked the cocktail conventions of the time but rewrote the liquor guidelines in Fleming's books. 'Up until that time in the 1960s, when you said martini, you meant a gin martini .. and gin martinis you don't want to shake because there's a theory that it will bruise the gin as air gets in there and the ice dilutes the drink,' Sisson says. 'Then Bond ordered a vodka martini, and with vodka, it doesn't really matter if you shake it. So it didn't take that long for sales of vodka martinis, shaken and not stirred, to go through the roof.'
The shaken vodka martini era in Bond films lasted almost 25 years, until Daniel Craig took the role of Bond in 2006's Casino Royale. Reverting to the original recipe from Fleming's first Bond book, Craig's 007 ordered a drink he dubbed the Vesper — a hybrid martini that is three parts gin and one part vodka, mixed with a half-ounce of Kina Lillet. Ordering the drink, Bond's words in the film were an exact echo of the dialogue in Fleming's 1953 Casino Royale story.
To be sure, Bond's tastes have not always caught on. Sisson says the Vesper struggled to become a fad because Lillet wine is hardly ubiquitous, available only in select bars and lounges. He also says that Bond's affinity for Bollinger champagne has not quite caught on with typical American drinkers.
But average drinkers might benefit from one of Bond's lesser known inventions: a hangover cure. 'Brandy with club soda and a couple of phensic tablets,' Sisson says. 'You don't imagine Bond having a hangover, so this shows a very different side of him.' (See TIME's complete 'Bond Week' coverage) Mlife casinos las vegas list.
Here are seven recipes — a sampling of 007's favorite cocktails:
Vesper Martini (Casino Royale): Three ounces of Gordon's gin, one ounce of vodka , half-ounce of Lillet Blanc, shake over ice and add a slim slice of lemon peel.
Mojito (Die Another Day): Three sprigs of fresh mint, two tablespoons of sugar, three tablespoons of fresh lime guice, 1.5-ounces of light rum and club soda.
Rum Collins (Thunderball): Two ounces light rum, a juiced lime, a tablespoon of powdered sugar, carbonated water, a sliced lemon and a cherry.
Mint Julep (Goldfinger): Four fresh sprigs of mint, 2.5-ounces of bourbon whiskey, one tablespoon of powdered sugar and two tablespoons of water. As Bond says in the film: Sour mash, but not too sweet, please.
Bond's Martini In Casino Royale
Gluhwein (For Your Eyes Only): The Swedish form of mulled wine, made with a mixture of spices and served warm.
Casino Royale 2006 Martinique
Spicy Bloody Mary (Never Say Never Again): As ordered by Bond's romantic interest: Double Bloody Mary with plenty of Worcestershire sauce. 1.5-ounces of vodka, three ounces of tomato juice, one dash of lemon juice, a half teaspoon of Worcestershire sauce, two to three drops of Tabasco sauce, and one lime wedge.
Watch Casino Royale 2006 Online
Bond Does Beer (License to Kill): Bond rendezvous with Pam in Bimini and both order a Bud with Lime. But before 007 can take a swig, he must fight off a henchman with a gun, knocking over the beers in the brawl. Bond's cheapest bar tab ever: $3.50.
